There are three part of the paper. First, the begining of the market reform, whichi was lasting 10 years until 1989. Tujia area was still not effected so much by the changing policies. But, outsides came to the area to sell products bring them new idea and new style of life. Some Tujia women began to try new things. Second, groups of young Tujia girls and women going out of mountains, working inside cities as cleaners and house keepers. Few of them became the business women, and brought a lots of new messages to hometown. That is the time when was before 2004; Third, since 2004, jobs in cities were not very easy to have , Tujia women began immigrating back to hometown, these was not whole story at all , most of them are not clear wether going back old life or insist living in the cities where they do not have belonging feelings at all. At the end of paper, it will tell what kind of changes in this minority ares actually brought by Tujia women.

The first one: mainstream gender discourse. By absorbing the essence of Social Emancipation Theory of Marxism, the mainstream gender discourse offers the vivid description of modern women image under leading of the Communist Party of China since 1949. － the Analysis Based on China Women and Children's Museum.

The second one: feministic discourse. The introduction of the western feminism into China since 1980's has reconstructed and developed "women voices" which, rising in May 4 Movement, has been cut down for more than 20 years. － the Analysis Based on Women Culture Museum.

Sometimes, the difference between the second and the third discourse (the Discourse of the market economy) becomes indistinct because "personalization", "privatization" are used as "margin", "non-mainstream" by western feminists to fight against "center", "mainstream". － the Analysis Based on China Sex Culture Museum.

In early 1992, the Women's Museum preparatory meeting was held in Zhengzhou city, Henan province, and I adopted the title of honorary curator of Women Culture Museum of Shaanxi Normal University in the end of 2011. 20 years have passed. This article from the founder's perspective, focus: 1.Motivation and initial goals of establishing women's museum; 2.The main participants in the preparatory process and related historical events; 3. Comparative study in international perspective. The museum was originally a product of international cooperation, and the result of the collaboration of academia and women's circles. Therefore, this article runs through the perspective of comparative research. I will target to save and organize women relics, re-observe those achievements and shortcomings in the course of practice.

During a visit to the Women's Cultural Museum of the Shaanxi Normal University in October 2011, I was impressed with Nüshu, the syllabic script used exclusively by women in part of Hunan province of southern China. As an overseas Chinese from Malaysia where there are no such museums, I have three points to share: 1) To make its presence known, the museum can engage in academic exchanges with and promotions for research to the rest of the world. 2) As the museum is limited to its collection of women's exhibits in a small scale, the Shaanxi Normal University can work with the government and society and ask for donations of women's artifacts. 3) Regular organization of seminars, forums or conferences can provide a channel for ideas and a stepping stone for making the museum a unique place for understanding women's culture in China.

Keywords:

Women's Cultural Museum, Nüshu, women's artifacts, women's culture.

Role of women in traditional cultural heritage.

----For example, to folk paper-cut

Shanxi Administration Institute Liu Jianxia

[Abstract] The folk paper-cut is not only an important and persistent factor in Chinese civilization,but also the national traditional culture classics.It maintains the cultural foundation of the whole folk art of the most primitive. Folk paper-cut from the life of the paper-cut creator, mostly women, through paper-cutting art form this special, they express their understanding of nature and life. They put the naive thought emotion, long exquisite workmanship into thin pieces of paper, and bearing art achievements. The achievements of women to create, background of female group collective aphasia in Chinese civilization is extremely rare. Life and living conditions of rural labor women there have all kinds of connections with contact with Chinese folk paper-cut art style, their training, experience, emotion, desire, and so on, are the main factors of Chinese folk paper-cut art style forming.

[keyword] traditional culture; female; paper-cut art.

　　　The author investigates the Cultural Ecological Reserve "Luowu Tribe" Project of Maojie Township, Wuding County, Yunnan Province, to analyzes and explores an effective method sustain its development that respect and protect the tradition of the Yi culture and integration of Yi Cultural tourism projects on the basis of subject to the common prosperity and harmonious. The author points that the protection and the inheritance of the Yi people's traditional culture should start from protecting the successor and creator of culture, and proposes a viewpoint of static and dynamic protection and inheritance, and effectively explores an ethnic development model that suit our measures to differing conditions in terms of locality, time, issue and persons involved.

The sheepskin cape with 7 stars worn by Naxi Women in Yunnan consists of 2 big circles, 7 small circles and 2 hanging fringes, representing the sun, the moon, the stars and light beams respectively, which is the most primitive dress remains to stand for the primitive universal characteristics. Its connotation is "the stars change in positions", to take the Big Dipper as 12 time zones to build coordinate - 12 earthly branches. The creation of 12 constellations with 7 bright stars instead of the Big Dipper was the most outstanding achievements in astronomy.

The figure 7 is regarded as the figure of life in the universe. In Chinese mythology of the world creation Nuwa spent 7 days to create life, and it was extended to the figure for the women reproduction cycle in HuangDiNeiJing in which double 7s were the start of the reproduction cycle.

Qiang girls perform their adult ceremony at the day of double-7s years old (14 years), with the decorations of semi-circle and 7 hanging fringes to form a necklace of the moon with 7 stars.

Yi girls' headdress has 7 pendant chains on both left and right sides, and their tobacco pouch has 7 hanging fringes deriving into 14 fringes.

headdress of Jiarong Tibetan girls has 49 (7×7) beads rings.

The girls of multiethnics in Gansu Qinghai Plateau carry their purses with 7 hanging fringes..

There were a lot of girl dresses with figure 7 unearthed in Xiaohe Cemetery in Tarim Basin.

Chinese women's Museums can bring new vision for its people. This is the original intention of the women's museum. Each women's museum has its own exhibition plan and each exhibition area will be arranged more scientifically. Compared with the international women's Museum such as the Camille museums in France, the Silk Museum in Germany, the Artemisia Gentileschi in Italy, Marie Curie Museum in Poland, the themes of women's museum in China need to be strengthened. After comparing with them, this paper proposes advice of how to improve women's museum in China in the new century. First of all, building new museums needs new technologies and the connection between technology and culture. We should organize diverse lectures covering diverse subjects: Psycholinguistics, ethnic linguistics, language and media studies, history, archeology, music, history, history of painting, art history, philology and traditional media, and online media, museums, heritage science, new technology multimedia digital technology, new technology and media applied arts, multimedia audio research and publication of the image, Charlotte Turpie Lyon, (Charlotte Perriand) Philippe Starck (Philippe Patrick Starck). These lectures have to be involved with media design, media architecture, visual-spatial design, dance, music, theater, sculpture, painting, narrative images, photography, embroidery, textiles, architectural views, etc. Such women's museum is a museum with innovative exhibition, a joint exhibition and a mobile exhibition. Of course, there should be project arrangements and translating of books before the build of museums.